Showing posts from August, 2015

Sampoorna Bhashanga Mela Concept

The concept I have postulated is more an intellectual exercise with theoretical validity, aimed to give a codified structure to what is often attempted in contemporary orchestral/operatic/fusion/film forays with "a Carnatic base".  My postulate also offers a mathematical extension to such forays since many new combinations can be tried more systematically by futuristic composers interested in venturing into this territory.

Carnatic music, renowned globally as much for its exciting aesthetics as for its scientific and precise approach, made tremendous strides both theoretically and practically after the 72 parent-raga (melakarta) system was postulated and developed several hundred years ago by Govinda Dikshitar, Venkatamakhin and others.  Prominent classical composers including the Tyagaraja, Muttuswami Dikshitar, Oottukkadu Venkata Kavi and others embraced the system and created attractive pieces which bestowed musical immortality upon this already brilliant concept, which i…